1934
Mary Bauermeister nasce a Francoforte sul Meno il 7 settembre del 1934, figlia di Wolf Bauermeister, professore di antropologia e genetica e della cantante Laura Bauermeister. 1946-54
Frequenta la scuola secondaria di Kalk, un quartiere di Colonia. L’insegnante di disegno Günther Ott riconosce il suo talento e la incoraggia a continuare. Realizza i suoi primi lavori a carboncino, matite colorate e pastelli su carta. 1954-57
Prosegue i suoi studi presso la Hochschule für Gestaltung di Ulm, dove frequenta i corsi base tenuti da Max Bill e Helene Nonne-Schmidt, allieva di Paul Klee. Tuttavia, non riesce a conciliare le proprie idee con l’orientamento rigorosamente costruttivista della scuola. Scrive a Günther Ott: “Le uniche opere d’arte che ricevono una grande attenzione qui sono quelle costruttiviste, matematicamente “dimostrabili”, rettangolari … “. Lascia Ulm dopo il primo semestre e si iscrive alla Staatlische Schule für Kunst und Handwerk a Saarbrücken, come allieva di Otto Steinert. Lì sperimenta diverse tecniche fotografiche. Nel 1956 torna a Colonia, dove si stabilisce e lavora come artista free-lance, sostenendosi con la vendita dei suoi disegni a pastello.
1960
Affitta una mansarda in Lintgasse 28, nel cuore del centro storico di Colonia, dove, tra il 26 marzo 1960 e il 14 ottobre 1961, si svolgono varie mostre e concerti. L’Atelier Mary Bauermeister si associa fortemente agli eventi artistici e musicali d’avanguardia. La società emittente WDR di Colonia, con il suo nuovo studio radiofonico e con lo Studio für elektronische Musik, diventa una calamita per i musicisti di tutto il mondo, esattamente come il Festival IGNM für Neue Musik. Di notte, dopo gli eventi WDR, il pubblico internazionale e gli artisti europei e americani vanno nello studio della Bauermeister, dove, nel quadro di un Contre-Festival, si esibiscono tanti artisti rifiutati dalla giuria ufficiale di IGNM. Questi eventi possono essere considerati come le prime performances e danno agli artisti importanti impulsi creativi. In seguito molti di loro si uniranno al movimento Fluxus. Bauermeister crea un legame di amicizia con Karlheinz Stockhausen, che partecipa ai concerti nel suo studio. Questa amicizia gioverà al lavoro di entrambi gli artisti. 1961
Frequenta il corso di composizione tenuto da Stockhausen all’International Summer courses for New Music in Darmstadt. Proprio lì l’artista forma la sua painterly conception (concezione pittorica). Ispirandosi in parte al concetto di parametro di, crea delle istruzioni per gli artisti sull’azione pittorica. 1962
Per la prima volta le opere di Bauermeister sono esposte in un museo. Jan Willem Sandberg, direttore dello Stedelijk Museum di Amsterdam, invita l’artista e Stockhausen a fare una mostra inter-media. Vengono esposte le opere di Bauermeister eseguite tra il 1958 e il 1962, insieme alle registrazioni di musica elettronica di Stockhausen e altri compositori. Le partiture del musicista sono esposte nelle casse di vetro accanto alle opere dell’artista. Successivamente, la mostra si sposta allo Stedelijk van Abbemuseum di Eindhoven, allo Stedelijk Museum di Schiedam e, all’inizio del 1963, al Groninger Museum.
In concomitanza con questa esposizione, Sandberg organizza la mostra Four Americans dedicata ai lavori di Robert Rauschenberg, Jasper Johns, Alfred Leslie e Richard Stankiewicz, includendo il famoso Monogram di Rauschenberg. Bauermeister rimane così impressionata dal lavoro di Rauschenberg e Jonhs che decide di trasferirsi a New York, dove si reca nell’ ottobre del 1962. 1963
Nel dicembre del 1963 Bauermeister firma il contratto con la galleria Bonino. Partecipa alla mostra collettiva 2 sculptors, 4 painters. Con il supporto di Alfredo e Fernanda Bonino l’artista riesce ad imporsi nel mercato dell’arte Newyorkese. Tutti i musei della città acquistano le sue opere; è presente in tutte le mostre più importanti. Il critico d’arte Brian O’Doherty scrive della giovane artista sul New York Times: “Sarà interessante vedere se ha abbastanza intelligenza e astuzia per far fronte al grande successo che ovviamente sta per avere.” 1964-1965 Mary Bauermeister – Paintings and Constructions è il titolo della sua prima mostra personale alla galleria Bonino inaugurata nel marzo del 1964, alla quale, insieme ad altre opere, sono esposte le sue prime lens boxes. La seconda mostra personale di “large, six-foot-tall Lorelei”, chiamata così dalla rivista The New Yorker, si apre l’anno successivo e viene dedicata esclusivamente alle lens boxes. 1966-1969
Anche la sua terza mostra personale alla galleria Bonino nel 1967 viene dedicata alle lens boxes. In questo periodo, oltre alle mostre presso la galleria Bonino, Bauermeister partecipa a numerose mostre collettive sia negli Stati Uniti che in Europa, tra cui, nel 1966 a “Annual Exhibition Contemporary Sculpture and Prints” al Whitney Museum of American Art di New York, a “Towards a Cold Poetic Image” alla galleria Schwarz di Milano e a “Pictures to Be Read/Poetry to Be Seen” al Museo d’Arte Contemporanea di Chicago. Nei cataloghi ed inventari diversi musei americani si riferiscono alla Bauermeister come ad un’artista americana, infatti partecipa a numerose mostre insieme agli altri giovani artisti americani. Nel 1967 si sposa con Stockhausen a San Francisco. 1970
Nei primi anni settanta Mary si trasferisce definitivamente in Europa. Già nel 1968 a Rösrath, un paesino appena fuori Colonia, si fa costruire una casa circondata da un ampio giardino, che sarà una parte integrante del suo lavoro artistico. Grazie alla crescente domanda delle sue opere l’artista si reca regolarmente a New York. 1972
Il Museo Mittelrhein di Koblenz presenta la prima mostra retrospettiva dedicata all’opera di Mary Bauermeister. Sono esposte complessivamente 105 opere, tra dipinti, oggetti e lavori su carta, prodotte tra il 1952 e il 1972. Sempre nel 1972, la galleria Schwarz di Milano organizza la sua prima mostra personale in Italia. 1980 – 1990
Già alla fine degli anni settanta inizia a lavorare con superfici d’acqua, cristalli e prismi, progettando i giardini di meditazione e i Pleasure Gardens. Entra nel campo dell’arte pubblica e dell’arte site-specific, ideando, per esempio, il Tree of Life per Goethe Institute di Londra. Tra il 1984 e il 1986 progetta un giardino per il Kölnische Rückversicherung; esegue l’opera Sculpture in aPleasure Garden per l’Ufficio Federale degli Esteri tedesco di Bonn.
Nel 1985 l’artista partecipa all’International Crystallography Congress all’università di Bielefeld, dove presenta le sue opere in una mostra personale e tiene una conferenza con i membri della facoltà di matematica sulle “simmetrie e processi seriali in arte e musica”.
Nel 1986 a Wuppertal al Postnuklearen Artionstage (giorni di azione post-nucleari) si unisce ai politologi e storici d’arte per discutere la “rilevanza socio-politica dell’arte contemporanea”.
Lo stesso anno il Cologne Kunstverein presenta la mostra Die sechziger Jahre. Kölns Weg zur Kunst-Metropole – vom Happening zum Kunstmarkt (The Sixties – il percorso di Colonia per diventare una metropoli dell’arte – dagli happening al mercato dell’arte), nella quale Bauermeister ha un ruolo di primo piano.
Nel 1988 due opere dell’artista sono incluse nella mostra Return to the Object: American and European Art from the Fifties and Sixties presentata al Guggenheim Museum di New York. 1990 – 2000
Negli anni novanta partecipa a importanti mostre come l’esposizione collettiva presso la galleria Staempfli di New York e Fluxus Virus al Temporäres Museum Kaufhof Parkhaus di Colonia. Nel 1995 il Museum of Modern Art di New York invita l’artista a partecipare a Artist’s Choice -Elisabeth Murray, Modem Women. Nel 1998 i suoi lavori sono esposti al Kölnische Galerie der Wünsche allo Stadtmuseum di Colonia. 2000
Le sue opere sono esposte nella mostra Nicht ans Wort gebunden al The Deutsches Buch e allo Schriftenmuseum di Lipsia. 2002
La collezione Rosenkrantz è in mostra al Von der Heydt Museum in Wuppertal; Bauermeister è una delle artiste rappresentate. 2004
In occasione del settantesimo compleanno di Mary Bauermeister, il Cologne Museum Ludwig aggiunge alla propria collezione una delle sue opere : “sewn picture”, del gruppo di lavori Needless Needless del 1964. 2007 – 2009
Espone l’opera “sewnpicture” Needless Needless alla mostra WACK! Art and the Feminist Revolution, presentata prima al MoCA di Los Angeles e successivamente al National Museum of Women in the Arts di Washington, al P.S. 1 Contemporary Art Center di New York e nel 2009 al Vancouver Artgallery. 2010
Il Wilhelm-Hack-Museum di Ludwigshafen am Rhein presenta Welten in der Schachtel. Worlds in a Box, una mostra personale dedicata a Mary Bauermeister. 2012 – 2013
Nel 2012 il Museum Fluxus+ di Potsdam organizza la mostra personale di Mary dal titolo Zopf ab. Lo stesso anno anche il Frauen Museum di Bonn presenta Retrospektive, un importante retrospettiva dedicata all’artista.
Con l’intento di approfondire le dinamiche delle posizioni sociali e politiche all’interno della storia dell’arte e i temi sull’emancipazione dell’arte dai primi anni cinquanta, il Leopold-Hoesch-Museum & Papiermuseum di Düren presenta la mostra Mary Bauermeister. Die 1950er Jahre. 2014
Partecipa a diverse mostre collettive sia negli Stati Uniti che in Europa, tra le quali Spielobjekte – Die Kunst der Möglichkeiten al Museum Tinguely di Basilea, Intermedial al 401contemporary di Berlino, At the Hub of Things: New Views of the Collection all’Hirshhorn Museum and Sculpture Garden di Washington.
Il Museum Fluxus+ di Potsdam dedica all’artista una mostra personale dal titolo Kunst(t)träume. 2015
Lo Smith College Museum of Art di Northampton presenta Mary Bauermeister. The New York Decade, una mostra dedicata al periodo newyorkese e alle opere eseguite tra il 1962 e il 1972.
Sempre nello stesso anno il Mittelrheimuseum di Koblenz apre la mostra Mary Bauermeister – Da Capo – Werke aus sechzig Jahren che si concentra sulle opere degli anni sessanta.
Partecipa alla collettiva Zero – Die internationale Kunstbewegung der 50er und 60er Jahre, organizzata dal Martin-Gropius-Bau di Berlino. 2016
Espone in Cina e in Corea del Sud. La mostra personale Horizonte – Mary Bauermeister und chinesische Künstler è presentata al Nanjing Xinchen Wenhua Yishu Zhongxin (Whenshine Galerie), al Nanjing Xuanhe Meishuguan (Xuanhe Galerie) e successivamente al Goethe Institut di Beijing.
Il Nam June Paik Art Center di Seoul la invita a partecipare alla collettiva Point – Line – Plain – TV.
1962
“Mary Bauermeister schilderijen & Karlheinz Stockhausen electronische muziek”, Stedelijk Museum, Amsterdam, Paesi Bassi; Stedelijk Museum, Schiedam, Paesi Bassi; Groninger Museum, Groningen, Paesi Bassi; Gemeentemuseum Den Haag, Paesi Bassi; Stedejilk Van Abbemuseum, Eindhoven, Paesi Bassi 1964
“Bauermeister: Paintings and Constructions”, Galeria Bonino, New York, USA
“Drawing Exhibition” (exhibition in conjunction with Karlheinz Stockhausen concert), Jerrold Morris International Gallery, Edward Johnson Building, Macmillian Theatre, Toronto, Canada 1965
“Large Six-Foot Tall Lorelei”, Galeria Bonino, New York, USA
“Bauermeister: Paintings and Constructions”, Galeria Bonino, New York, USA 1966
Galeria Bonino, New York, USA 1967
“Bauermeister: Paintings and Constructions”, Galeria Bonino, New York, USA 1969
Galeria Bonino, New York, USA 1970
“Mary Bauermeister: Paintings and Constructions”, Galeria Bonino, New York, USA
Art Center, Summit, NJ, USA 1971
“mary bauermeister. zeichnungen konstruktionen”, Galerie Atelier 67, Ulm, Germania
“Mary Bauermeister: Überbleibsel”, Galerie der Spiegel, Colonia, Germania
howevercalls, Galerie Judith Weingarten, Amsterdam, Paesi Bassi 1972
Petschek Arts, London, UK
Galeria Bonino, New York, USA
“Mary Bauermeister: Gemälde und Objekte”, Mittelrhein Museum, Koblenz, Germania
“Mary Bauermeister: Recent Paintings and Constructions”, Staempfli Gallery, New York, USA
“Mary Bauermeister”, Galleria Schwarz, Milano, Italia 1973
“Mary Bauermeister”, Galerie Schloss Remseck, Neckar Rems, Germania 1974
“20 Jahre Retrospektive Mary Bauermeister Gemälde und Objekte 1954-74”, Rathaus Bensberg, Bergisch Gladbach, Germania
“Mary Bauermeister”, Jodi Scully Gallery, Los Angeles, USA 1978
“Mary Bauermeister Oeuvre d’art”, Galerie La Cité, Lussemburgo, Lussemburgo 1979
“Mary Bauermeister”, Galerie Rolandshof, Bonn, Germania 1980
“Mary Bauermeister Retrospektive 1955-1980”, Städtische Galerie Villa Zanders (now Kunstmuseum Villa Zanders), Bergisch Gladbach, Germania 1981
Galerie La Cité, Lussemburgo, Lussemburgo
1986
“Lichtkreuze – Kruezbäume – Baumskulpturen”, Haus Stammen, Bergisch Gladbach, Germania 1987
“Mary Bauermeister”, Galerie Rolandshof, Remagen-Rolandseck, Germania 1991
Galeria Bonino, New York, USA 1992
Galeria Bonino, New York, USA 2002
Galerie Inge Becker, ColoNIA, Germania 2003
“Mary Bauermeister: Auf den Punkt gebracht – Arbeiten von 1955 bis 2002”, Galerie Schüppenhauer, Colonia, Germania 2004
“Needless Needles, Zum 70. Geburtstag von Mary Bauermeister”, Museum Ludwig, Colonia, Germania
“Mary Bauermeister: All things involved in all other things”, Galerie Schüppenhauer, Colonia, Germania 2009
“Mary Bauermeister: Aus meinem Skizzenbuch – Ein Tag in New York”, Galerie Schüppenhauer, Colonia, Germania 2010
“Welten in der Schachtel: Mary Bauermeister und die experimentelle Kunst der 1960er Jahre”, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germania 2012
“Mary Bauermeister: Zopf ab”, Museum Fluxus+, Potsdam, Germania
“Mary Bauermeister. Kulturgewächs – Spektrum über 60 Jahre”, Frauen Museum, Bonn, Germania 2013
“Mary Bauermeister. Die 1950er Jahre, Leopold-Hoesch-Museum & Papiermuseum”, Düren, Germania
“Zopf ab, Gold oben!”, Kunstverein Nümbrecht, Germania 2014
“Die Visionärin (The visionary)”, 401contemporary, Berlino, Germania
“Kunst(t)träume”, Museum FLUXUS+, Potsdam, Germania 2015
“Mary Bauermeister – Da Capo – Werke aus sechzig Jahren”, Mittelrheimuseum, Koblenz, Germania
“Mary Bauermeister. The New York Decade”, Smith College Museum of Art, Smith College, Northampton, USA 2016
“Farbrausch (Blaze of Colour)”, 401contemporary, Berlino, Germania
“Mary Bauermeister: Omniverse”, Pavel Zoubok Gallery, New York, USA
“Mary Bauermeister: Point the way: with different material”, Museum FLUXUS+, Potsdam, Germania
“Horizonte – Mary Bauermeister und chinesische Künstler”, Nanjing Xinchen Wenhua Yishu Zhongxin (Whenshine Galerie), Nanjing Xuanhe Meishuguan (Xuanhe Galerie), Goethe Institut, Beijing, Cina
“Querschnitt durch das Oeuvre der Künstlerin Mary Bauermeister”, Museum Fluxus+, Potsdam, Germania
“Mary Bauermeister”, Galerie Kirchgasse, Steckborn, Svizzera
“Farbrausch, Kunstinitiative Wurzeln und Flügel e.V.”, Schloss Reuschenberg, Neuss, Germania 2017
“Pli Score Pli”, Kunstmuseum Solingen, Germania
“Mary Bauermeister 1 + 1 = 3”, Studio Gariboldi, Milano, Italia
“Mary Bauermeister: Das ernste Spiel – die Chiffernschrift von Natur und Transzendenz”, himmel und himmel Gallery, Monaco, Germania
“Mary Bauermeister – Zeichen, Worte, Universen”, Kunstmuseum Villa Zanders, Bergisch Gladbach, Germania
“Mary Bauermeister: No Fighting on Christmas. The air-conditioned nightmare”, DavisKlemmGallery, Wiesbaden, Germania 2019
“Mary Bauermeister: Live in Peace or Leave the Galaxy”, Michael Rosenfeld Gallery LLC, New York, USA
MOSTRE COLLETTIVE
1961
“Opening Exhibition Moltkestr”, Galerie Parnass, Wuppertal, Germania
“Der Geist der Zeit in Malerei und Plastik”, Atelier Neufert, Sachsenturm, Colonia, Germania
“originale. musikalisches theater”, Atelier Bauermeister Lintgasse, Colonia, Germania 1962
“Ars Viva”, Kunstverein, Oldenburg, Germania; Kunsthalle, Bremen, Germania
“30 deutsche Maler: Situation 1962”, Kunstverein, Oldenburg, Germania
“Sommerausstellung (together with Waldemar Grzimek)”, Galerie Parnass, Wuppertal, Germania 1963
“2 Sculptors, 4 Painters”, Galeria Bonino, New York, USA
“International Artists’ Summer Seminar”, Gallery Lounge, Fairleigh Dickinson University, Madison, NJ; Riverside Museum, New York, USA
“Schrift en beeld, Art and writing / L’Art et l’ecriture, Schrift und Bild”, Stedelijk Museum, Amsterdam, Paesi Bassi; Staatliche Kunsthalle, Baden-Baden, Germania 1964
“1964 Annual Exhibition of Contemporary American Sculpture”, Whitney Museum, New York, USA
“Box Show”, Byron Gallery, New York, USA
Staempfli Gallery, New York, USA
“World Art Show”, Washington Square Galleries, New York, USA
Museum of Art, Science and Industry (now the Discovery Museum), Bridgeport, USA
“Old Hundred”: Selections from The Larry Aldrich Contemporary Collection, 1951-1964: Sculpture, The Larry Aldrich Museum (now The Aldrich Contemporary Art Museum), Ridgefield, USA 1965
“Selected Works by Contemporary New Jersey Artists”, Newark Museum, Newark, USA
“1+1=3: An Exhibition of Retinal and Perceptual Art”, Lower Gallery, University Art Museum of the University of Texas (now the Blanton Museum of Art), The University of Texas at Austin, Austin, USA
“Highlights of the Season 1964/65”, The Larry Aldrich Museum (now The Aldrich Contemporary Art Museum), Ridgefield, USA
“Young America 1965: Thirty American Artists Under Thirty-Five”, The Whitney Museum of American Art, New York, USA
“John S. Newberry: A Memorial Exhibition”, The Museum of Modern Art, New York, NY; Arnot Art Gallery (now Arnot Art Museum), Elmira, USA
“44 Drawings: Recent Acquisitions”, The Museum of Modern Art, New York, USA
“Recent Acquisitions: Assemblage”, The Museum of Modern Art, New York, USA
“The Deceived Eye”, Fort Worth Art Center (now the Modern Art Museum of Fort Worth), Fort Worth, USA
“Stone and Crystal Exhibition”, Staempfli Gallery, New York, USA
“The Box Show”, Byron Gallery, New York, USA
“Contemporary Boxes and Wall Sculpture”, RISD Museum of Art, Rhode Island School of Design, Providence, USA
“Paintings and Sculpture from the Contemporary Collection, 1951-1964”, of The Larry Aldrich Museum, organizzata da the Fine Arts Committee of the Friends of Channel 13-WNDT, Alexander’s Department Store, Fifth Floor Gallery, New York, USA
“Drawings from the Collection of Betty Parsons”, Betty Parsons Gallery, New York, USA
“Art Today: Kinetic and Optic”, Albright-Knox Art Gallery, Buffalo, New York, USA
“Premio Nacional e Internacional. Instituto Torcuato Di Tella”, Centro de Artes Visuales Instituto Torcuato Di Tella, Buenos Aires, Argentina
“An Exhibition of Contemporary Sculptors’ Drawings”, School of Art Gallery, The Ohio State University, Columbus, USA
1966
“European Drawings”, Solomon R. Guggenheim Museum, New York; DeCordova Museum (now the deCordova Sculpture Park and Museum), Lincoln, USA
“Artists for Core”, Grippi & Waddell Gallery, New York, USA
“2e Salon international de Galerien pilotes Lausanne. Artistes et découvreurs de notre temps”, Museé Cantonal des Beaux-Arts, Palais de Rumine, Lausanne, Svizzera
“Art in Process: The Visual Development of a Structure”, Contemporary Study Wing, Finch College Museum of Art, Finch College, New York; Eleanor Rigelhaupt Gallery, Boston, USA
“American Landscapes: A Changing Frontier”, National Collection of Fine Arts (now Smithsonian American Art Museum), Smithsonian Institution, Washington, USA
“American Painting, 1966”, Virginia Museum of Fine Arts, Richmond, USA
The Katonah Gallery (now the Katonah Museum of Art), Katonah, NY, USA
“Contemporary Art USA”, Norfolk Museum of Arts and Science (now the Chrysler Museum of Art), Norfolk, USA
“Annual Exhibition 1966: Contemporary Sculpture and Prints”, The Whitney Museum of American Art, New York, USA
“Drawings from the Museum Collection”, The Museum of Modern Art, New York, USA
“The First Flint Invitational: An Exhibition of Contemporary Painting and Sculpture”, Flint Institute of Arts at DeWaters Art Center, Flint, USA
“Twenty Years of American Sculpture 1946-1966: From the Collection of the Whitney Museum of American Art”, Monmouth Museum, Asbury Park, USA
“50 Op-Pop Prints”, Closson’s Art Gallery, Cincinnati, USA
“Mary Bauermeister, Marcelo Bonevardi, Robert Breer, Pietro Cascella, Fernandez-Muro, Armando Morales, Alicia Penalba”, Galeria Bonino, New York, USA
“Maximum 12 x 20”, Galeria Bonino, New York, USA
“Exhibition of Works to Benefit Channel 13”, Finch College Museum of Art, Finch College, New York, USA
Bertha Schaefer Gallery, New York, USA
“Towards A Cold Poetic Image”, Galleria Schwarz, Milano, Italia 1967
“1967 Pittsburgh International Exhibition of Contemporary Painting and Sculpture”, Museum of Art (now Carnegie Museum of Art), Carnegie Institute, Pittsburgh, USA
“Pictures to be Read/Poetry to be Seen”, Museum of Contemporary Art Chicago, Chicago, USA
VI Biennale Internationale d’Arte, Venice, Italy
Selection 1967: Recent Acquisitions in Modern Art”, University Art Gallery (now Berkeley Art Museum and Pacific Film Archive), University of California, Berkeley, USA
“Art for your Collection VI”, RISD Museum of Art (now RISD Museum), Rhode Island School of Design, Providence, USA
“Nuove tecniche d’Immagine”, 6. Biennale D’Arte Repubblica Di San Marino, Palazzo Dei Congressi, City of San Marino, San Marino, Italia
“N.Y. – L.A. Drawings of the 1960’s”, Department of Fine Arts, University of Colorado, Boulder; University of New Mexico Art Museum, University of New Mexico, Albuquerque, USA
“Collectors 1967”, Akron Art Institute (now Akron Art Museum), Akron, USA
“The First Kent Invitational of Painting and Sculpture”, School of Art, Kent State University, Kent, USA
“Drawings: Recent Acquisitions”, The Museum of Modern Art, New York, USA
“The 1960s: Painting and Sculpture from the Museum Collection”, The Museum of Modern Art, New York, USA
“Art from New Jersey – 1967”, New Jersey State Museum, Trenton, USA
“The Range of Art”, Makler Gallery, Philadelphia, USA
“Fifty One Paintings Sculptures and Drawings”, Benefit Auction for The Artist’s Technical Research Institute, The Artist Technical Research Institute, Parke-Bernet Galleries Inc., New York, USA 1968
“1968 Annual Exhibition; Contemporary American Sculpture”, Whitney Museum of American Art, New York, USA
“Graphics ’68”, Albright-Knox Art Gallery, Buffalo, USA
“Third Annual Art from New Jersey”, New Jersey State Museum, Trenton, USA
“Sculpture, murals & fountains: an anthology of contemporary art from the works of one hundred and sixteen artists from twenty-nine nations and six continents”, HemisFair ’68 (1968 World’s Fair), San Antonio, USA
“Listening to Pictures”, Brooklyn Museum, Brooklyn, USA
“The Art of Organic Forms”, National Museum of Natural History, Smithsonian Institution, Washington, USA
“Mary Bauermeister, Fletcher Benton, Agostino Bonalumi, Marcelo Bonevardi, Robert Breer, Pietro Cascella, Antonio Fernandez-Muro, Gyula Kosice, Ronald Mallory, Umberto Mastroianni, Armando Morales, Alicia Penalba”, Galeria Bonino, New York, USA
“Wragge Room”, Bonwit Teller Department Store, New York, USA 1969
“Contemporary Painting and Sculpture”, Baltimore Museum of Art, USA
“Black/White: Exhibition of Paintings and Constructions”, Van Wickle Gallery, Lafayette College, Easton, USA
“Society for Contemporary Art 29th Annual”, Art Institute of Chicago, Chicago, USA
“Superlimited: Boxes and Things”, The Jewish Museum, New York, USA
“Contemporary American Painting & Sculpture”, Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, USA
“Painting and Sculpture Today 1969”, Indianapolis Museum of Art, Indianapolis, USA
“Contemporary Art: Acquisitions 1966–1969”, Albright-Knox Art Gallery, Buffalo, USA
“1970 National Drawing Exhibition”, San Francisco Museum of Art (now San Francisco Museum of Modern Art), San Francisco, USA
“The Owens-Corning Collection”, Toledo Museum of Art, Toledo, USA 1970
“Arts from New Jersey 1970”, New Jersey State Museum, Trenton, USA
“January ‘70: Contemporary Women Artists”, Hathorn Gallery (now The Schick Art Gallery), Skidmore College, Saragota Springs, USA
“Popular Mechanics in Printmaking”, The Museum of Modern Art, New York, USA
“Benefit exhibition for Preventative Medicine Strang Clinic”, Pepsi Cola Building, 500 Park Avenue, New York, USA
“The Permanent Collection-Women Artists”, The Whitney Museum of American Art, New York, USA
“Selections from the Guggenheim Collection, 1900-1970”, Solomon R. Guggenheim Museum, New York, USA 1971
“Artistas de la Galeria Bonino de New York”, Estudio Actual, Caracas, Venezuela
“Park East Synagogue Art Show”, Park East Synagogue, New York, USA
“Drawings USA/71”, Minnesota Museum of Art, St. Paul, USA
“Contemporary Selections 1971”, Birmingham Museum of Art, Birmingham, USA
“31st Annual Exhibition”, The Art Institute of Chicago, Chicago, USA
“Drawings in St. Paul from the permanent collection of the Minnesota Museum of Art”, Minnesota Museum of Art, St. Paul, USA
“Rudolph Collection”, Williams College Museum of Art, Williams College, Williamstown, USA
“Multiples: The First Decade”, Philadelphia Museum of Art, Philadelphia, USA
Introduction to artists recently joining the gallery; Mary Bauermeister, Morris Broderson, Cristóbal Toral, Staempfli Gallery, New York, USA 1972
III. Bienal de Arte Coltejer, Medellin, Columbia
“Women: A Historical Survey of Works by Women Artists”, Salem Fine Arts Center (now the Robert E. Elberson Fine Arts Center), Salem College, Winston-Salem, NC; North Carolina Museum of Art, Raleigh, USA
“Women in Art: An Exhibition of Painting and Sculpture”, Art Gallery, Brainerd Hall (now the Gibson Gallery), State University College (now The State University of New York at Potsdam-SUNY Potsdam), Potsdam, USA
“Unique/Multiples: Sculpture/Photos”, The Museum of Modern Art, New York, USA
“Movement, Optical Phenomena and Light: Kinetic and Optic Painting and Sculpture”, Albright-Knox Art Gallery, Buffalo, USA
“After Surrealism: Metaphors and Similes”, The John and Mable Ringling Museum of Art, Florida State University, Sarasota, USA
Selections from the The Aldrich Museum Collection and Paintings on Paper: Selections from the Collection, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA
Galerie Pelart, Kassel, Germania
“American Woman Artists Show”, Kunsthaus Hamburg, Amburgo, Germania
“Focus on Women”, Van Deusen Gallery, Kent State University, Kent, USA
“Szene Rhein-Ruhr ’72”, Museum Folkwang, Essen, Germania
“Critics’ Choice”, Sculpture Center, New York, USA
“Opus Demercificandi”, Centro Tool, Milano, Italia 1973
“Bildhauerinnen”, Berlino, Germania
“Tableaux Modernes. Art Contemporain”, Espace Cardin, Parigi, Francia 1974
“Within the Decade: Selections from the Guggenheim Museum Permanent Collection”, Solomon R. Guggenheim Museum, New York, USA
“The 20th Century – 35 American Artists”, Galleria Schwarz, Milano, Italia
“Ars Intermedia”, Galerie Les Contemporains Genval-Lac with Galerie Kümmel Cologne, Genval, Belgio
“Contemporary American Painting and Sculpture”, Krannert Art Museum, University of Illinois at Urbana-Champaign, Champaign, USA
“Tenth Anniversary Exhibition, 1964-1974: Selections from the Collection”, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA
“Multiples: ein Versuch die Entwicklung des Auflagenobjektes darzustellen = An Attempt to Present the Development of the Object Edition”, Neuer Berliner Kunstverein, Kunstbibliothek, Berlino, Germania 1975
“Feminie 75”, UNESCO, Parigi, Francia
“JP1: Art International”, Palais des Beaux-Arts, Brussels, Belgio
“A Change of View”, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA
“Masterworks in Wood: The Twentieth Century”, Portland Art Museum, Portland, USA 1976
“Bosces”, Museé de l’Art Moderne, Parigi, Francia
“Fall Selections 1976: the Museum and its Resources. Paintings and Sculpture from the Collection”, New Gifts and Loans, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA 1977
“Private Images: Photographs by Sculptors”, Los Angeles County Museum of Art (LACMA), Los Angeles, USA
Künsterlinnen International, Frankfurter Kunstverein, Francoforte, Germania
“Künstlerinnen international 1877-1977”, Neue Gesellschaft für Bildende Kunst, Schloss Charlottenburg, Berlino, Germania
“Fall, 1977: Contemporary Collectors”, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA
“Spacescape”s, Sid Deutsch Gallery, New York, USA 1978
“Turm – Lebensbaum”, Goethe Institut, London, UK
“Selections from the Collections 1978: New Acquisitions–Gifts and Loans”, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA
“The Sixties Collection Revisited”, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA 1979
“Kölner Künstler persönlich vorgestellt von Mitgliedern aus Vorstand und Ausschuss des Kölnischen Kunstvereins”, Kölnischer Kunstverein, Colonia, Germania 1980
“Printed Art: A View of Two Decades”, The Museum of Modern Art, New York, USA
Coos Art Museum, Coos Bay, USA
Columbus Museum of Art, Columbus, USA
“Sculptural Forms”, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA
“Signale aus dem Verborgenen: Magisch-Meditatives in der Kunst von Mary Bauermeister Rita Furore Ingeborg Lüscher”, Galerie Rolandshof, Remagen-Rolandseck, Germania
“Drawings in Saint Paul: Selections from the Miriam B. and Malcolm E. Lein Collection”, Minnesota Museum of Art, Saint Paul, Minnesota, USA 1981
“Fluxus: Aspekte des Phänomens, Kunst- und Museumsverein”, Von der Heydt-Museum, Wuppertal, Germania
“Bildhauertechniken”, Neuer Berliner Kunstverein, Berlino, Germania 1982
“Meditationsecke (Happening)”, Kunstzentrum Wachsfabrik, Rodenkrichen, Germania
“Fästwel -mit F. Lauten und P. Fuchs”, Kürten, Germania
“Medium Papier”, Städtische Galerie Villa Zanders (now Kunstmuseum Villa Zanders), Bergisch-Gladbach, Germania
Exhibition of works by women artists as part of “Women’s Week,” Denison University Art Galleries, Denison University, Granville, USA
Galerie Burg Zweiffel, Bergisch Gladbach, Germania 1983
“Twenty Contemporary Women”, Picker Art Gallery, Colgate University, Hamilton, USA 1984
“Intermedia: Between Painting and Sculpture”, The Aldrich Museum of Contemporary Art (now The Aldrich Contemporary Art Museum), Ridgefield, USA 1985
“Vom Klang der Bilder: die Musik in der Kunst des 20. Jahrhunderts”, Staatsgalerie Stuttgart, Stoccarda, Germania
“Kunst und Technik”, Bonn, Köln, Aachen, Augsburg, München, Düsseldorf, Germania
“Licht, Zeit, Bewegung”, Bergisch Gladbach, Germania
“Aspects of Constructivism”, Neuberger Museum of Art, Purchase, NY; Atrium Gallery, Schenectady, USA 1986
Die 60er Jahre – Kölns Weg zur Kunstmetropole; vom Happening zum Kunstmarkt, Kölnischer Kunstverein, Colonia, Germania
Von Salatköpfen und Neutönern, WDR Produktion mit Mary Bauermeister, Bazon Brock, Hans G Helms, Allan Kaprow, Thomas Schmidt, Arthus Caspari, Jörg Immendorf im Rahmen der Eröffnung des Wallraff-Richartz-Museum, Colonia, Germania
“New Acquisitions and Permanent Collection”, Bergen Museum of Art and Science, Paramus, USA
“Relief Sculpture: Selections from the Museum’s Collection”, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA
“Odd and Intense”, Pictogram Gallery, New York, USA
“Archetype: Eastern Cultures – Western Art of the Twentieth Century”, Ethnographic Museum, Belgrade, Yugoslavia (adesso Serbia)
“Assemblage: Piece by Piece”, Cox Fine Arts Center, Ohio State Fair, Columbus, USA
“Accent on Sculpture: Small-scale Works from the Permanent Collection”, Columbus Museum of Art, Columbus, USA 1988
“The Art of the Object of the Sixties”, Solomon R. Guggenheim Museum, New York, USA
“Kunst der 60er und 70er Jahre”, Städtische Galerie Villa Zanders (now Kunstmuseum Villa Zanders), Bergisch-Gladbach, Germania 1992
Staempfli Gallery, New York, USA
“Fluxus Virus”, Temporäres Museum, Praterinsel, Monaco, Germania
“Contemporary European Prints”, The Museum of Modern Art, New York, USA
“Transparency”, Luise Ross Gallery, New York, USA
“Shizen: Exhibition of German Contemporary Art”, Japanese-German Center, Berlino, Germania, Aula Carolina, Aachen, Germania; Gallery Yamaguchi SOKO, Gallery Tsubaki; TOTO Super Space Tokyo, Tokyo, Giappone; Galerie Villa Rolandseck, Bonn, Germania 1993
“Fluxus Virus 1962-1992”, Temporäres Museum, Kaufhof Parkhaus Köln, Colonia, Germany;Aktionsforum Praterinsel, Monaco, Germania; Kunsthalle Erfurt, Haus zum Roten Ochsen, Erfurt, Germania; Smolny Kathedrale, St. Petersburg, Russia; Haus des Künstlers, Mosca, Russia
“In the Spirit of Fluxus”, Walker Art Center, Minneapolis, MN; Whitney Museum of American Art, New York, NY; Museum of Contemporary Art Chicago, Chicago, IL; Wexner Center for the Visual Arts (adesso Wexner Center for the Arts), The Ohio State University, Columbus, OH; San Francisco Museum of Modern Art, San Francisco, CA; Santa Barbara Museum of Art, Santa Barbara, CA, USA; Fundació Antoni Tàpies, Barcellona, Spagna
1994
“Worlds in a Box”, City Art Centre, Edimburgo, UK; Graves Art Gallery, Sheffield, UK; Sainsbury Centre for Visual Arts, University of East Anglia, Norwich, UK; Whitechapel Art Gallery, London, UK
“Favorite Things: The Community Selects”, Allentown Art Museum, Allentown, USA 1995
“Artist’s Choice: Elizabeth Murray – Modern Women”, The Museum of Modern Art, New York, USA
“Drawing on Chance: Selections from the Collection”, The Museum of Modern Art, New York, USA
“Altered and Irrational: Selections from the Permanent Collection”, Whitney Museum of American Art, New York, USA
“Temporarily Possessed: The Semi-Permanent Collection”, The New Museum of Contemporary Art, New York, USA
“Transparenz – Verdichtung”, Weisse Galerie, Colonia, Germania 1996
“Ruhm: Werke von Künstlerinnen in nordrhein-westfälischen Museen”, Frauenmuseum, Bonn, Germania 1998
“Fazit”, Galerie Schüppenhauer, Colonia, Germania
“Kölnische Galerie der Wünsche”, Kölnische Stadtmuseum, Colonia, Germania
“Return to the Object: American and European Art from the Fifties and Sixties”, Solomon R. Guggenheim Museum, New York, USA
“Essence of the Orb”, Michael Rosenfeld Gallery LLC, New York, USA
“The Big Picture: American Art Since 1950”, Allentown Art Museum, Allentown, USA
“Mary’s und Ben’s Lustspiel”, Galerie Schüppenhauer, Colonia, Germania 1999
“Wasserklage”, Kunst und Musikperformance, Rösrath, Germania
“WordVolume”, Galerie Schüppenhauer, Colonia, Germania
“Carved, Modeled, Welded, Assembled, Drawn: Sculptors’ Works in the Collection of the Albright-Knox Art Gallery”, UB Anderson Gallery, University at Buffalo, The State University of New York, Buffalo, USA
“Pop Impressions Europe/USA: Prints and Multiples from The Museum of Modern Art”, The Museum of Modern Art, New York, USA 2000
“Museum der Wünsche”, Kölnisches Stadtmuseum, Colonia, Germania
“Nicht ans Wort gebunden”, Deutsches Buch und Schriftenmuseum, Leipzig, Germania
“positions”, Galerie Schüppenhauer, Colonia, Germania
“The Vera, Silvia and Arturo Schwarz Collection of Contemporary Art”, Tel Aviv Museum of Art, Tel Aviv, Israele 2002
“As time goes by”, Kunstverein Region Heinsberg, Germania
“Nature Art”, Birdland, Madison,USA
“Sammlung Rosenkrantz”, Von der Heydt-Museum, Wuppertal, Germania
“Fluxus und Freunde: Sammlung Maria und Walter Schnepel/Fluxus and Friends: The Maria and Walter Schnepel Collection”, Neues Museum Weserburg (now Weserburg, Museum für moderne Kunst), Bremen, Germania; Fondazione Morra, Napoli, Italia; Kunstmuseum Bonn, Bonn, Germania
“Stille Betrachtung”, Galerie Schüppenhauer, Colonia, Germania
“Kleine Formate”, Galerie Schüppenhauer, Colonia, Germania 2003
“Skulpturen zum Frieden”, Leichingen, Germania
“American Sculpture from the FIA’s Collection”, Flint Institute of Arts, Flint, USA 2004
“25 Jahre Rösrather Künstler”, Alte Lederfabrik, Rösrath, Germania
“Contemporary American Sculpture: Collection of the FIA”, Marshall M. Fredericks Sculpture Museum, Saginaw, USA 2005
“Broken Glass: Glas in Kunst en Architectuur”, Glaspaleis Heerlen, Heerlen, Paesi Bassi
“Dual Vision: The Simona and Jerome Chazen Collection”, Museum of Arts and Design, New York, USA 2006
“Webs, Loops, and Skeins in Modern and Contemporary Art”, RISD Museum, Rhode Island School of Design, Providence, USA
“ConFLUXaction”, Galerie Schüppenhauer, Colonia, Germania
“Besonderheiten / Exceptionals”, Galerie Schüppenhauer, Colonia, Germania 2007
“WACK! Art and the Feminist Revolution”, The Geffen Contemporary at MOCA, The Museum of Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington, DC; PS.1 Contemporary Art Center (adesso MoMA PS1), Long Island City, New York, USA; Vancouver Art Gallery, Vancouver, Canada 2008
“To become more like music”, Mummery+Schnelle, London, UK 2009
“Twentieth-Century Prints from the Collection”, Heckscher Museum of Art, Huntington, USA
“That 70’s Show”, Berkshire Museum, Pittsfield, USA
“Privat”: Wuppertal Sammler der Gegenwart im Von der Heydt-Museum, Von der Heydt-Museum, Wuppertal, Germania 2010
“Eye Rhymes”, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Skidmore College, Saratoga Springs, USA
“Power Play”, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Skidmore College, Saratoga Springs, USA
“The Anarchy of Silence: John Cage and Experimental Art”, Museu d’Art Contemporani de Barcelona, Barcellona, Spagna; Henie Onstad Kunstsenter, Høvikodden, Norvegia; SCHUNCK Museum, Heerlen, Paesi Bassi 2011
“Surveyor”, Albright-Knox Art Gallery, Buffalo, USA
Allentown Art Museum, Allentown, USA 2012
“Abstract Expressionism: Then & Now”, Flint Institute of Arts, Flint, USA
“On the Road to Fluxus”, Galerie Schüppenhauer, Colonia, Germania
“Nostalgia is an Extended Feedback”, Nam June Paik Art Center, Yongin, Sud Corea
“Rationale III: Raum + Bau. Architektinnen, Planerinnen, Künstlerinnen der Konkreten Kunst, Stadtkritik und Bonnnova”, Frauenmuseum, Bonn, Germania
“Best of”, Galerie Schüppenhauer, Colonia, Germania
“SchlussPunkt”, Galerie Schüppenhauer, Colonia, Germania 2013
“Shakers & Movers”, Galerie Veneklasen Werner, Berlino, Germania
“Nur Hier: Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland Ankäufe von 2007 bis 2011”, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland GmbH, Bonn, Germania
“Gut aufgelegt. Die Sammlung Heinz Beck”, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germania
“RESONANZEN: Mary Bauermeister – Jakob Mattner”, 401contemporary, Berlino, Germania
“Wonder Room: Into the Woods”, Columbus Museum of Art, Columbus, USA 2014
“Spielobjekte – Die Kunst der Möglichkeiten”, Museum Tinguely, Basel, Svizzera
“Intermedial”, 401contemporary, Berlino, Germania
“At the Hub of Things: New Views of the Collection”, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA
“Single Moms – alleinstehende Mütter und ihre Lebenswelten”, Frauenmuseum, Bonn, Germania
“ornamental structures”, Kunstverein Worms, Worms, Germania
“transparent – durchsichtig – transluzid – durchscheinend, Kunstinitiative Wurzeln und Flügel e.V.”, Schloss Reuschenberg, Neuss, Germania
LVR-LandesMuseum, Bonn, Germania 2015
“Zero – Die internationale Kunstbewegung der 50er und 60er Jahre”, Martin-Gropius-Bau, Berlino, Germania
“Frauen in Krieg und Frieden. 15-45-15. Geschichte, Dokumente, zeitgenössische Kunst”, Frauenmuseum, Bonn, Germania
“accompagnata”, Galerie Rosemarie Bassi, Remagen, Germania
“It’s Never Just Black or White”, Michael Rosenfeld Gallery LLC, New York, USA 2016
“Flux-us”, CUBO Centro Unipol, Bologna, Italia
“Neupräsentation der Sammlung”, Museum Ludwig, Colonia, Germania
“Das Neue”, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germania
“Point – Line – Plain – TV”, Nam June Paik Art Center, Yongin, Sud Corea
“Highlights of the Permanent Collection”, Santa Barbara Museum of Art, Santa Barbara, USA
“It’s Elemental: Water”, Beard & Weil Galleries, Wheaton College, Norton, USA
“Rendezvous der Künstler – Meisterwerke aus der Sammlung Helmut Klewan”, Kunstsammlungen und Museen Augsburg, Schaezlerpalais, Asburgo, Germania; Regional Gallery in Liberec (Oblastní Galerie Liberec), Liberec, Repubblica Ceca 2017
“Präsent: zwischen den Zeilen : Kunst in Briefen von Niki de Saint Phalle bis Joseph Beuys”, Sprengel Museum, Hannover, Germania
“Sound Goes Image: Partituren zwischen Musik und Bildender Kunst”, Horst-Janssen-Museum, Oldenburg, Germania
“Spielraum: Kunst, die sich verändern lässt”, Landesgalerie Linz, Oberösterreichischen Landesmuseums, Linz, Austria; Museum im Kulturspeicher Würzburg, Würzburg, Germania
“The Time Is N♁w”, Michael Rosenfeld Gallery LLC, New York, USA
“Masterclass: A Survey of Work from the Twentieth Century”, Pavel Zoubok Gallery, New York, USA
“Supernature”, Pavel Zoubok Gallery, New York, USA
“Katharina von Bora: Von der Pfarrfrau zur Bischöfin – Die Geschichte der widerlichen Reformation – Künstlerpaare”, Frauenmuseum, Bonn, Germania
“The Klewan Collection: Portrait(s) of Modernism”, Orangerie, Lower Belvedere, The Belvedere, Vienna
“aRtoRT”, AdK Arbeitskreis der Künstler e.V. Bergisch Gladbach, Technologie Park, Bergisch Gladbach, Germania 2018
“Fountain of Youth”, ESPE (École supérieure du professorat et de l’éducation), Mont-Saint-Aignan, Francia
“Giant Steps: Artists and the 1960s”, Albright-Knox Art Gallery, Buffalo, USA
“Light, Line, Color and Space”, UB Anderson Gallery, University at Buffalo, Buffalo, USA
“Alma Thomas: The Light of the Whole Universe”, Smith College Museum of Art, Smith College, Northampton, USA
“Objects Like Us, The Domestic Plane: New Perspectives on Tabletop Art Objects”, The Aldrich Contemporary Art Museum, Ridgefield, USA
“KÖLN 68! Protest. Pop. Provokation”, Kölnisches Stadtmuseum, Colonia, Germania 2019
“Art of Defiance: Radical Materials”, Michael Rosenfeld Gallery LLC, New York, USA
“Cry Gold and See Black,” a cura di Julie Mehretu, Artistic License: Six Takes on the Guggenheim Collection, Solomon R. Guggenheim Museum, New York, USA
“33 Positionen in einer Aussergewöhnlichen Ausstellung von Werken Unterschiedlichster Materialien und Techniken”, Kunst Kabinett Hespert, Reichshof, Germania
“Spiritual by Nature”, Michael Rosenfeld Gallery LLC, New York, USA
Galeria Bonino, organizzato da Fundación Espigas, Buenos Aires, Argentina, Centro de Promoción en Nueva York, Ministerio de Relaciones Exteriores y Culto, República Argentina (Consulate General di Argentina a New York), New York, USA
“Transverse Wave: Mary Bauermeister and Rashid Al Khalifa with Sound Design by Simon Stockhausen”, me Collectors Room Berlin / Olbricht Foundation, Berlino, Germania
“Geschenkt, gekauft und wiedergefunden”, Mittelrheinmuseum, Koblenz, Germania
“Zeitgenössische Kunst Künstlerfreunde aus der Sammlung Mary Bauermeister” (Contemporary Art Friends from the Collection of Mary Bauermeister), Kunst Kabinett Hespert, Reichshof, Germania
“es ist alles eitel, AdK Arbeitskreis der Künstler e.V. Bergisch Gladbach”, Kulturhaus Zanders, Bergisch Gladbach, Germania
“Oppositions: Art and Power in the Vietnam Era”, Columbus Museum of Art, Columbus, USA 2020
“Sibylle Mania – Blicke in 19 Ateliers”, ACC Galerie, Weimar, Germania
Fight Art: Arte “Face to Face”, Spazio Arte, CUBO, Bologna, Italia
“KölnSkulptur #10: ÜberNatur – Natural Takeover”, Skulpturenpark Köln, Colonia, Germania
“Neu aufgestellt: Neuerwerbungen, Schenkungen, Dauerleihgaben und mehr” (Reorganized: New Acquisitions, Donations, Permanent Loans and more), Kunstmuseum Villa Zanders, Bergisch Gladbach, Germania
“DETOX”, Galerie Eigenheim, Weimar, Germania
“FLUXUS – Kriegskinder (Children of War)”, Museum FLUXUS+, Potsdam, Germania
“Out of Place: A Feminist Look at the Collection”, Brooklyn Museum, Brooklyn, New York, USA
“Paper Power”, Michael Rosenfeld Gallery LLC, New York, USA 2021
“Surrealism in American Art”, Centre de la Vielle Charité, Marseille, Francia
“KRAUTSCAPES, suns.works”, Zurigo, Svizzera
“Alternative Worlds: Mary Bauermeister, Lee Bontecou, Claire Falkenstein & Alma Thomas”, Michael Rosenfeld Gallery LLC, New York, USA
“Beyond Belief”, Haus Kunst Mitte, Berlino, Germania
