18.02.2025

A lot is said about Suzuki Izumi, but we are interested in telling the story of the imagination and writing of a young Japanese woman. She will remain young forever, as she left the visible world too soon. But her youth is most evident in her writing, in the worlds she explores, and in the visions that sometimes precede our historical-social moment.

Encountering the stories collected in Noia Terminale, the first volume of a trilogy, is sometimes torment, other times a provocation, and at other times pure alienation.

This book matters to us because disturbance is the foundation of making art, and we’ve chosen to talk about her because she is the third Japanese woman, beyond any stereotype, who, along with Sadayakko and Aiko Miyawaki, forms a deep and original portrait of how women respond to the call of their vocation.

05.02.2025

Studio Gariboldi will be present at ARTE FIERA with a selection of artworks. You can find us in our usual spot, spacious and bright, in the Main Section, Pavilion 26, Booth B2.
We will be at the booth from Thursday, February 6 (from 11 AM to 9 PM) to Sunday, February 9 (from 11 AM to 7 PM).

On Friday evening, at 7 PM, we will be heading to the Cinema Modernissimo for the Flash Art Award, together with the Italics consortium, for the Panorama Monferrato project.

30.01.2025

On the occasion of the Art Genève fair (from January 30 to February 2), Le Quotidien de l’Art wrote about us.

Aiko Miyawaki, cuivre d’or
« My work is subtle. Time, space, light… these concepts obsess me, » wrote Aiko Miyawaki (1929-2014) in her 1992 autobiography. A passionate traveler, after World War II, she journeyed across the world to connect different cultural universes. At the crossroads of minimal and conceptual art, which dominated Milan, Paris, and New York in the 1960s, Miyawaki met artists such as Piero Manzoni, Lucio Fontana, Man Ray, Sam Francis, and Jasper Johns. Whether violet, blue, red, or golden, her metal surfaces shine through the refraction of light.
We thank journalist Jordane de Faÿ.

27.01.2025

Aiko Miyawaki is featured on Artribune. The article describes the journey of the exhibition and highlights the most interesting aspects of the Japanese artist’s work.
“Entering Studio Gariboldi gives the impression of stepping into a suspended, golden, hidden place (…). The exhibition thus becomes a moment of silence in a world that moves quickly. The exhibition space is shaped as a place to be traversed. It invites a contemporary flânerie, where the audience tries to decipher the conceptual meaning of the intimacy expressed by the artist.”

17.01.2025

The first bilingual catalog, in Italian and English, documenting the work of the Japanese artist Aiko Miyawaki. It includes her fascinating biography, reference texts in foreign languages, details of her solo and group exhibitions, and images of her precious works in brass, composed with Brass Pipes, photographed by Michele Sereni.

The catalog, which features the works exhibited at Studio Gariboldi and traces Miyawaki’s unique artistic journey, is part of a series dedicated to Japanese art in Italy during the 1960s and 1970s, and has received the patronage of the Consulate General of Japan in Milan.

Aiko Miyawaki, Magonza Publisher, Arezzo 2024.

15.01.2025

Our interest in women of the arts also includes the figure of Sadayakko, the Duse of Japan.
Carmen Covito, bestselling author and Japan scholar, will visit the gallery on January 23 at 5:00 PM to tell us about her. She will be in conversation with Elsa Riccadonna, a librarian who is actively involved in promoting reading.The event is part of the series Japanese Art in Italy, 1960s and 1970s, under the patronage of the Consulate General of Japan in Milan.

Limited seating, reservation required: press@studiogariboldi.com

14.01.2025

05.12.2024

Vittorio Lingiardi is a psychiatrist, psychoanalyst, and above all, for us, a poet. Corpo, umano contains everything: science, art, and literature. Paintings, symbols, and visions. Lingiardi divides it into three sections: the remembered body, the detailed body, and the rediscovered body. In the second section, for example, there are the hair, a part that concerns all of us, with its vast iconography. A symbol of sacrifice, youth, old age, a powerful social communicator, at the center of many sayings: “I have a devil for a hair,” “split a hair in four,” “don’t twist a hair…”.
But, Lingiardi points out, “I am convinced that in the psyche of hair there is much more…”.
This book interests us because it is intelligent, sharp, full of revelations. A perfect gift for anyone who loves knowledge, beauty, and especially, art.

Vittorio Lingiardi, Corpo, umano, Einaudi, 2024.

27.11.2024

Even the materials with which works of art are created have an impact on our daily lives. Brass is an alloy of copper and zinc. It is a malleable yet durable material. Shiny, similar to gold, but simpler, less expensive, and less pretentious. Anthroposophical philosophy attributes special properties to brass. It is connected to the circulatory and renal systems, it acts as a heat balancer, and it neutralizes magnetic fields. It is also used to soothe pain. It symbolizes strength and steadfastness. It is chosen for the construction of symbolically important objects.

Aiko Miyawaki, more attentive to what is unseen than to the form of objects, chooses it—and this is no coincidence. Before placing a work of art in our homes, it is advisable to consider the full range of forces (material, expressive, vibrational) that make it up.
Let’s also think about what can’t be seen!

28.10.2024

After his solo exhibition in the gallery in 2019, our artist Katsumi Nakai will be featured in the exhibition “Noguchi / Nakai” at Luxembourg + Co. in New York. The event, taking place from October 30 to November 2, 2024, is dedicated to the works of Isamu Noguchi (1904-1988) and Katsumi Nakai (1927-2013). The exhibition will be held in the Fuller Building and at Stand C1 of ADAA’s The Art Show.

Both artists were innovators in sculpture, operating on opposite sides of the Atlantic while sharing a desire to translate their Japanese cultural heritage into a new geographic context. Using Noguchi’s seminal work “Seen and Unseen” (1962) as a gateway, the display will focus on the themes of veiling and unveiling as artistic strategies. It will also highlight the significance of Japanese craft traditions, such as origami and garden design.

30 October – 2 November 2024

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OBEY – “to obey,” in Italian “obbedire” – is the provocative word that Shepard Fairey chooses as his artistic name. OBEY is the term the street artist consistently uses throughout his artistic production, inviting the viewer to develop their own critical thinking and to disobey social conventions, when and if necessary. OBEY: The Art of Shepard Fairey is a comprehensive collection of Obey’s art, from the beginnings to his recent works. It serves as a point of reflection on the role of art in public debate, encouraging each visitor to question their own values and the transformative power of creativity.

Milan, Fabbrica del Vapore
From 16 May to 27 October 2024
For info: obeymilano@wunderkammern.net

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Panorama Monferrato

On Sunday, September 8th, the traveling exhibition as part of the Panorama Monferrato event came to a close, during which our gallery participated with a work by Salvatore Scarpitta. The piece, titled “Drummer Brigade”, created in 1963 using oil on canvas, bandages, and straps (61 × 61 × 12 cm), was on display for all four days of the event at the historic Cottolengo of Camagna, located at via Matteotti 30.

Panorama Monferrato reached its fourth edition as part of the ITALICS project, showcasing a selection of 150 works, including sculpture, painting, video, and site-specific installations. Curated by Carlo Falciani, the exhibition took place in the picturesque towns of Camagna, Vignale, Montemagno, and Castagnole, creating an expansive and engaging artistic journey.