XXII-III-MMXXIII

The works of the artist Mary Bauermeister will always speak for her. 

Her work is featured in the exhibition “PUT IT THIS WAY” at the Hirshhorn Museum in Washington DC. 

The group show brings together almost a century of works by 49 artists exclusively from the Hirshhorn’s permanent collection.

“PUT IT THIS WAY” it takes its title from a 1963 painting by American pop artist Rosalyn Drexler, and is organized by Anne Reeve, Associate Curator of the Hirshhorn.

“PUT IT THIS WAY: (RE)VISIONS OF THE HIRSHHORN COLLECTION”

August 2022- Autumn 2023

15 March 2023

After Gallerie a Palazzo event, the individual projects of the eight galleries on Corso Monforte continue. 

Here the news: at Stein gallery, from 23 February, it is possible to visit the exhibition of the artist Paladino. On 16 March, Visconti gallery opens Bill Viola’s exhibition.

The other exhibition spaces are always open with their projects.

We look forward to seeing you from 11 a.m. to 1 p.m. and 3 p.m. to 7 p.m. with a group exhibition.

A project by Saba Italia in collaboration with Studio Gariboldi. 

Some of the gallery’s works are exhibited together with design objects. Abstract and informal paintings by Nobuya Abe, Mario De Luigi, Helmut Zimmermann and Guido Strazza meet with elements conceived with a function, linked by clean shapes that keep their truthfulness.

In the picture Mario De Luigi (1901-1978), Grattage G.V. 031, 1959, oil on canvas, 37.4 x 53.1 inches

© Andrea Bartoluccio 

Part four

Lucio Fontana, “Concetto spaziale”, 1954-55, the largest work performed by the master in crystal and Murano glass is currently on display at the TEFAF in Maastricht until 19 March. 

You can admire it at the booth 365 gallery Salamon – Old Masters (a collaboration with Studio Gariboldi). 

Fontana is surrounded by exceptional works by Antonio Canaletto, Francesco Guardi, Michele Marieschi. 

© Galleria Salamon

Part three

The work is a 60.23 inch diameter crystal with coloured glass paste stones. It was created by Lucio Fontana between 1954 and 1955.
Fontana calls it ‘spatial’.
(It is accompanied by an autograph letter from the artist, dated 30 December 1955).

Part two

A crystal with Murano glass stones was moved to the circular room of the gallery, then carefully placed inside the monumental iron structure. 

We are ready to reveal who the author is and the year it was made.

Stay tuned…

Part one

Enio Passalaqua from La Spezia, with a glorious past as a welder on Italian Navy submarines, has built an iron structure to contain a masterpiece of Italian art. 

Which work will it be?

More news soon!